In the domain of audio processing, Transfer Learning has facilitated the rise of Self-Supervised Learning and Zero-Shot Learning techniques. These approaches have led to the development of versatile models capable of tackling a wide array of tasks, while delivering state-of-the-art performance. However, current models inherently lack the capacity to produce the requisite language for open-ended tasks, such as Audio Captioning or Audio Question Answering. We introduce Pengi, a novel Audio Language Model that leverages Transfer Learning by framing all audio tasks as text-generation tasks. It takes as input, an audio recording, and text, and generates free-form text as output.

In the domain of audio processing, Transfer Learning has facilitated the rise of Self-Supervised Learning and Zero-Shot Learning techniques. These approaches have led to the development of versatile models capable of tackling a wide array of tasks, while delivering state-of-the-art performance. However, current models inherently lack the capacity to produce the requisite language for open-ended tasks, such as Audio Captioning or Audio Question Answering. We introduce Pengi, a novel Audio Language Model that leverages Transfer Learning by framing all audio tasks as text-generation tasks. It takes as input, an audio recording, and text, and generates free-form text as output.

In this paper, we propose to pre-train audio encoders using synthetic patterns instead of real audio data. Our proposed framework consists of two key elements. The first one is Masked Autoencoder (MAE), a self-supervised learning framework that learns from reconstructing data from randomly masked counterparts. MAEs tend to focus on low-level information such as visual patterns and regularities within data. Therefore, it is unimportant what is portrayed in the input, whether it be images, audio mel-spectrograms, or even synthetic patterns. This leads to the second key element, which is synthetic data. Synthetic data, unlike real audio, is free from privacy and licensing infringement issues. By combining MAEs and synthetic patterns, our framework enables the model to learn generalized feature representations without real data, while addressing the issues related to real audio. To evaluate the efficacy of our framework, we conduct extensive experiments across a total of 13 audio tasks and 17 synthetic datasets. The experiments provide insights into which types of synthetic patterns are effective for audio. Our results demonstrate that our framework achieves performance comparable to models pre-trained on AudioSet-2M and partially outperforms image-based pre-training methods.

The rapid advancements in large language models (LLMs) have significantly enhanced natural language processing capabilities, facilitating the development of AudioLLMs that process and understand speech and audio inputs alongside text. Existing AudioLLMs typically combine a pre-trained audio encoder with a pre-trained LLM, which are subsequently finetuned on specific audio tasks. However, the pre-trained audio encoder has constrained capacity to capture features for new tasks and datasets. To address this, we propose to incorporate mixtures of `weak' encoders (MoWE) into the AudioLLM framework. MoWE supplements a base encoder with a pool of relatively light weight encoders, selectively activated based on the audio input to enhance feature extraction without significantly increasing model size. Our empirical results demonstrate that MoWE effectively improves multi-task performance, broadening the applicability of AudioLLMs to more diverse audio tasks.

Transfer learning is critical for efficient information transfer across multiple related learning problems. A simple, yet effective transfer learning approach utilizes deep neural networks trained on a large-scale task for feature extraction. Such representations are then used to learn related downstream tasks. In this paper, we investigate transfer learning capacity of audio representations obtained from neural networks trained on a large-scale sound event detection dataset. We build and evaluate these representations across a wide range of other audio tasks, via a simple linear classifier transfer mechanism. We show that such simple linear transfer is already powerful enough to achieve high performance on the downstream tasks. We also provide insights into the attributes of sound event representations that enable such efficient information transfer.